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James Tissot The Prodigal Son in Modern Life oil painting reproduction


The Prodigal Son in Modern Life
Date c.1882 Medium Oil on canvas cjr
new24/James Tissot-848585.jpgPainting ID::  82046
 

 

 
   
      

James Tissot
  
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.
The Prodigal Son in Modern Life
Date c.1882 Medium Oil on canvas cjr

Related Paintings to James Tissot :.
| Beaumont Hotham, 3rd Baron Hotham by William Salter | Guido Reni (1575-1642) -- Saint Jerome | Leonardo di ser Piero da Vinci030 | Clement Delves Hill by William Salter | Jean-Baptiste-Camille Corot - The Seine near Rouen | | View of a Terrace | Vendedores de fruta | Sexy body, female nudes, classical nudes 40 | The Glebe Farm | Madonna and Child |


        

 

 

 

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